Everyone’s life is built in storey phases. The Ground Floor: Childhood, early memories, roots, and where they came from. The Middle Storeys: Twenties, career choices, finding love, building businesses, raising families, and navigating the busy middle of life. The Upper Storeys: True wisdom, the view from the top, perspective, and looking back over the entire structure.
A complete story, told in brief. Every Storeykeeper film moves through all three floors of a life — the Ground Floor of childhood and roots, the Middle Storeys of career and family, the Upper Storeys of wisdom and perspective. Story Session covers all three with focused, essential questions — a full arc, efficiently told.
Includes:
The full structure, richly explored. More time on each floor means more of the stories that make your family’s history distinct — not just what happened, but what it felt like.
Includes:
Every floor, deeply explored. The most complete telling we offer — extended time on each level of the story, plus the home, the setting, and the details that surround it.
Includes:
For historical societies, museums, and community organizations preserving local history — oral history interviews, archival compilation, and edited films suited for exhibits, archives, or public programming. Scope and pricing tailored to your project. Contact us to discuss: info@storeykeeper.com
to review and sign before we schedule your interview. Once the agreement is signed, a deposit is collected to reserve your interview date.
We’ll start with a quick introduction and choose a comfortable spot for the interview. I’ll find the best place for lighting and sound, and—if you’d like—capture a few gentle shots of your space for the film.
Setup takes about 30 minutes. I use two cameras on tripods, simple lighting, and a small wireless microphone that clips discreetly to your clothing. Good sound is essential, so I take a moment to make sure everything is perfect.
Once the equipment is ready, I’ll have you seated so I can fine‑tune the lighting and check audio before we begin.
Wear whatever makes you comfortable. Solid colors work best on camera, and simple clothing avoids distractions. Try to avoid busy patterns (like tight stripes or small checks) and anything with noisy jewelry that might interfere with the microphone. Soft, neutral tones photograph beautifully, but the most important thing is that you feel like yourself.
Please have all your digital photos gathered into a single folder on your computer desktop or tablet before I arrive. I will bring a portable media drive to copy them directly while I set up the equipment—no uploading required!
The number of photos is indicated in each price package. Actual photos can be scanned on site too.
Each film includes a set number of revision passes. A revision pass is one round of requested changes sent together. These passes cover small refinements—trimming sections, adjusting audio, swapping photos, or correcting factual details such as names, dates, or captions.
Larger changes that significantly alter the structure or direction of the film may fall outside the included passes. If anything goes beyond the scope of a revision pass, I’ll let you know before additional costs apply.